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A Washerwoman at Éragny (1893) reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS

A Washerwoman at Éragny (1893)

Camille Pissarro
Technique: Giclée quality print
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"A Washerwoman at Éragny," painted in 1893 by Camille Pissarro, is a stunning depiction of rural life in the French countryside. This impressionist artwork beautifully illustrates a day in the life of a washerwoman, engulfed in her daily chores amidst the lush surroundings of Éragny. Focused and diligent, the woman stands at a wooden barrel, her hands busily submerged in the water, washing clothes with earnest effort.The composition is vibrant with flecks of color that capture the shimmering light and the rich greens of the garden environment. Pissarro's distinct brushstrokes bring an almost tactile texture to the scene, allowing the viewer to feel the breezy atmosphere and the rustle of leaves. Strategically placed bright flowers add a touch of liveliness and contrast to the earthy tones of the woman's attire and the wooden equipment.Pissarro, known for his contributions to the Impressionist movement, manages to encapsulate not only the physicality of the mundane task but also an ethos of serene industriousness which characterized rural labor at the time. This painting is more than just a visual treat, it's a reflective glimpse into the everyday tasks that sustained life and the beauty found within them.

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Artist
Camille Pissarro
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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro

Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism. 

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