A Seated Peasant Woman (1885)

Technique: Giclée quality print
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More about this artwork

"A Seated Peasant Woman" is a compelling painting by Camille Pissarro, a master of impressionist painting, completed in 1885. This work portrays a young peasant woman, seated in a contemplative pose against a lush, vibrantly green backdrop. The woman is dressed in simple, rustic clothing with a distinctive red and white headscarf that draws attention to her downward gaze. Her expression, cast in shadow, suggests a moment of rest or perhaps deep thought, which injects a profound sense of quietude and introspection into the scene.Pissarro’s use of texture and color is particularly notable in this painting. The brushstrokes are loose and vibrant, characteristic of the impressionist style, allowing the viewer to feel the motion and the play of light within the work. The greens of the background, a tapestry of myriad shades, create a dynamic contrast with the subdued tones of the woman’s attire and her pale skin. This palette not only highlights the naturalism central to Pissarro’s work but also emphasizes the harmony between the human figure and her surroundings.This painting is more than just a visual study; it is a reflection on rural life and the silent dignity of its inhabitants. Pissarro, through this gentle depiction, invites viewers to ponder the daily lives and internal worlds of those often overlooked in the grand narratives of art and society.

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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro

Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism.