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Perroquets, aigle, bois sculpté. Cygnes et iris, porte en bois sculpté. (1897) reproduction of painting by Maurice Pillard Ve...

Perroquets, aigle, bois sculpté. Cygnes et iris, porte en bois sculpté. (1897)

Maurice Pillard Verneuil
Technique: Giclée quality print
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Maurice Pillard Verneuil's 1897 artwork, "Perroquets, aigle, bois sculpté. Cygnes et iris, porte en bois sculpté," reveals the artist's intricate engagement with nature and ornamental design, embodying the Art Nouveau movement's aesthetics. The top portion of the piece features three dramatic carvings of parrots; each bird is rendered with meticulous care, highlighting its distinctive feathers and powerful presence. The deep, thoughtful expressions of the parrots suggest a moment caught in serene contemplation.The lower part of the painting offers a contrasting scene with a lush depiction of a tranquil lakescape, where swans glide gracefully amid blooming irises. The detailed texture of the water, combined with the elegant forms of the swans and the vibrantly etched foliage, creates a peaceful yet vibrant tableau. This section captures the delicate balance between movement and stillness, showcasing Verneuil's skill in crafting visually harmonious and naturalistic scenes.Together, these elements of the artwork celebrate the beauty and complexity of wildlife, rendered through the artist's unique vision and exemplary execution in the art of wood carving.

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Maurice Pillard Verneuil
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Maurice Pillard Verneuil was a French artist and decorator in the Art nouveau movement. He was born in Saint-Quentin, France. Maurice Pillard Verneuil learned his trade from the Swiss designer Eugène Grasset. Maurice Pillard Verneuil then went on to become a well-known artist and designer. He was inspired by Japanese art and nature, particularly the sea. He is known for his contribution to the art deco movement and, in particular, his use of bold, floral designs in ceramic tiles, wallpapers and other furnishing textiles.

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