Cacatoès, bordure. Chiens, chevrettes et marcassins, cuir gaufré et doré (1897)
Technique: Giclée quality print
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Chiens, chevrettes et marcassins, cuir gaufré et doré" (1897) by Maurice Pillard VerneuilDive into the exquisite artistry of Maurice Pillard Verneuil with his 1897 masterpiece "Cacatoès, bordure. Chiens, chevrettes et marcassins, cuir gaufré et doré." This striking work showcases Verneuil's skill in the Art Nouveau style, a movement characterized by its intricate linear designs and strong colors.The painting is divided into two primary sections: a vivid border and a rich, textured main field. On the left side, a beautifully detailed border features a series of elegant cockatoos. These birds are illustrated in a stylized form, typical of the Art Nouveau period, with swirling tail feathers and flowing outlines that suggest movement and organic growth.The right, and larger, portion of the painting immerses viewers in a lush, red-toned woodland scene alive with various animals. Detailed depiction of dogs, young goats, and wild boars (chevrettes and marcassins) captures them in mid-action, creating a dynamic interplay of forms across the fiery background. The trees and foliage are rendered with meticulous attention to detail, adding depth and texture to the scene.The overall composition is harmonious and balanced, with the ornamental quality of the border complementing the naturalistic richness of the main image. The use of embossed and gilded leather (cuir gaufré et doré) techniques enhances the tactile quality of the piece, inviting viewers to explore both the visual beauty and the innovative craftsmanship.
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Maurice Pillard Verneuil was a French artist and decorator in the Art nouveau movement. He was born in Saint-Quentin, France. Maurice Pillard Verneuil learned his trade from the Swiss designer Eugène Grasset. Maurice Pillard Verneuil then went on to become a well-known artist and designer. He was inspired by Japanese art and nature, particularly the sea. He is known for his contribution to the art deco movement and, in particular, his use of bold, floral designs in ceramic tiles, wallpapers and other furnishing textiles.