Luxor. Dec. 1st, 1838. (1846-1849)
Technique: Giclée quality print
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Dec. 1st, 1838" (1846-1849) by David RobertsDavid Roberts, a distinguished 19th-century Scottish artist renowned for his detailed depictions of Egyptian expanses, provides us with a mesmerizing vista in "Luxor. Dec. 1st, 1838." This exquisite lithograph is not simply a portrayal of a historical monument, but a narrative canvas that captures the essence of Egyptian grandeur and its interaction with the figures that inhabit or visit these monumental spaces.In this painting, the central focus is the towering obelisk, inscribed with hieroglyphics, which stands majestically against the backdrop of the clear sky. It emanates historical significance, representing the thriving civilization that once dominated the region. This ancient monolith is contrasted subtly with the remnants of colossal statues and the formidable walls of a temple, possibly Luxor Temple, suggesting the enduring legacy of Egypt's architectural prowess.What enhances this portrayal further is the human element Roberts integrates into the scene. We observe figures in varying attire — from traditional Egyptian garb to more Western-style clothes — reflecting the cultural interactions during this period. These individuals, some situated near the base of the obelisk and others in contemplative observation, offer scale to the artworks and remind us of the perpetual human fascination with historical and cultural discoveries.Roberts' work is not merely historical documentation but an artistic celebration of Egypt’s archaeological wonders, capturing a moment when the past and present coalesced. The careful blending of delicate color gradations, meticulous detail in the architectural description, and the vivid portrayal of the figures all culminate in a piece that is as educational as it is enchanting.This lithograph is a testament to Roberts' skill in lithography and his profound respect for the cultural heritage of the landscapes he visited, making "Luxor.
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David Roberts (24 October 1796 – 25 November 1864) was a Scottish painter. He is especially known for The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia, a prolific series of detailed lithograph prints of Egypt and the Near East that he produced from sketches he made during long tours of the region (1838–1840). These and his large oil paintings of similar subjects made him a prominent Orientalist painter. He was elected as a Royal Academician in 1841.