Siout [Asyût]. Upper Egypt. (1846-1849)
Technique: Giclée quality print
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David Roberts, in his painting titled "Siout [Asyût], Upper Egypt" (1846-1849), masterfully captures a vivid and bustling scene set against the serene backdrop of the Egypt's landscapes. This artwork, created during Roberts's extensive travels through Egypt, presents a snapshot of daily life and cultural richness in the historic city of Asyut, located on the west bank of the Nile.The painting is distinguished by its central feature, a striking minaret, which rises elegantly above the landscape. The minaret's intricate architecture and ornamental design highlight the rich Islamic architectural heritage that Roberts was so keen on documenting during his travels. Surrounding the minaret, the scene is alive with activity: groups of people, camels, and horses animate the foreground, suggesting the vibrancy of local trade and social interactions at the time.In the background, one can see the expansive vista of the Nile river and the distant mountains, rendered in subtle hues that suggest the heat and light of the Egyptian climate. Roberts's use of light and shadow, as well as his meticulous attention to detail, transports viewers to this distant time and place, offering a glimpse into the historical and cultural fabric of 19th-century Egypt."Siout [Asyût], Upper Egypt" is more than just a picturesque representation; it serves as a historical document, capturing the essence of Egyptian life and architecture during a period of significant interest in Orientalism by European artists.
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David Roberts (24 October 1796 – 25 November 1864) was a Scottish painter. He is especially known for The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia, a prolific series of detailed lithograph prints of Egypt and the Near East that he produced from sketches he made during long tours of the region (1838–1840). These and his large oil paintings of similar subjects made him a prominent Orientalist painter. He was elected as a Royal Academician in 1841.