Cercle Artistique De Schaerbeek (1898)

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We are delighted to feature "Cercle Artistique De Schaerbeek" (1898), a captivating artwork by the renowned Art Nouveau artist, Henri Privat-Livemont. This remarkable poster was designed to promote the 6th annual exhibition of the Beaux-Arts at the Musée Moderne in Brussels, which ran from July 9 to July 28, 1898.Highlighted in this piece is the exquisite profile of a woman, rendered in a stylized and elegant Art Nouveau manner. Her head is adorned with a decorative headdress, jeweled and segmented, catching the eye with its symmetrical beauty and fine detail. The gentle curls of her hair and the soft details of her ear are juxtaposed against a vibrant red background, which is strikingly patterned with elaborate floral motifs. This background not only accentuates her profile but also seamlessly integrates with the organic elements typical of the era's aesthetic.The woman holds a small book or journal, adding an intellectual allure to her serene expression. This suggests a theme of art intertwining with literature, a nod perhaps to the cultural enrichment advocated by the exhibition. Below her, detailed text informs the viewer about the exhibition details, including the modest entry fee which underscores the event's public accessibility.This poster is not merely an advertising tool but a work of art in itself, representing the spirit of Art Nouveau and the cultural vibrancy of Brussels at the turn of the century. Henri Privat-Livemont's masterful use of color, line, and form in "Cercle Artistique De Schaerbeek" captures the essence of an era that celebrated beauty in both the artistic and everyday realms.

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Henri Privat-Livemont (1861–1936) was an artist born in Schaerbeek, Brussels, Belgium.

He is best known for his Art Nouveau posters. From 1883 to 1889, he worked and studied in the studios of Lemaire, Lavastre & Duvignaud. He, with Lemaire, created the decor of the Theatre Français as well as the Hôtel de Ville, Paris. He later moved back to Brussels, and worked on theaters and casinos there.

In 1897, he worked on the poster for the Brussels International Exposition (1897). The posters for Absinthe Robette and the Casino de Cabourg were published in Les Maîtres de l'Affiche.