Bols (1901)

Technique: Giclée quality print
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More about this artwork

"Bols" (1901) by Henri Privat-Livemont is a splendid example of the Art Nouveau style, celebrated for its intricate linear designs and flowing curves. This artwork was commissioned as an advertisement for Bols, a Dutch distillery known for its genever and liqueurs, and it beautifully reflects the elegance and refinement of the era.The painting features a graceful woman in an opulent gown delicately holding a tray of glasses and a bottle, poised as if offering a drink to an unseen guest. Her attire and the gentle, dreamy expression on her face evoke a sense of genteel sophistication. Surrounding her are lush and detailed illustrations of ivy leaves and vines, adding a naturalistic backdrop that was popular in Art Nouveau imagery. The use of soft, muted colors complements the overall calm and inviting tone of the piece.Above the woman, the bold red lettering of the word "BOLS" stands out against the subtle background, drawing attention to the brand being advertised. Below the figure, text in a classical typeface announces "Amsterdamsche Fijne Likeuren & Zeer Oude Genever," suggesting the exclusivity and quality of the spirits produced by Lucas Bols Amsterdam.Privat-Livemont's work not only serves as an advertisement but also as an artistic celebration of the beauty found in everyday moments—here, the simple act of serving a drink is transformed into an occasion of quiet luxury and allure.

Delivery

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Returns

Yes, reproductions can be returned.

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Henri Privat-Livemont (1861–1936) was an artist born in Schaerbeek, Brussels, Belgium.

He is best known for his Art Nouveau posters. From 1883 to 1889, he worked and studied in the studios of Lemaire, Lavastre & Duvignaud. He, with Lemaire, created the decor of the Theatre Français as well as the Hôtel de Ville, Paris. He later moved back to Brussels, and worked on theaters and casinos there.

In 1897, he worked on the poster for the Brussels International Exposition (1897). The posters for Absinthe Robette and the Casino de Cabourg were published in Les Maîtres de l'Affiche.