Nature morte à la lampe (circa 1888)

Technique: Giclée quality print
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More about this artwork

Dive into the intimate world of Édouard Vuillard with "Nature morte à la lampe," a painting dating back to circa 1888. This work reflects Vuillard's early exploration into the depths of still life, during a time when he was absorbed in the academic study of the arts.In this painting, Vuillard captivates us with a rich, moody depiction of a simple scene featuring a brass lamp and a pipe resting against a dark background. The brass lamp, complete with a round body and a slender, protruding spout, occupies the center of the composition. Its reflective surface shimmers under some unseen light source, suggesting a quiet, contemplative moment frozen in time.Adjacent to this central figure, a pipe with a possibly ceramic bowl lies elegantly sprawling across the tabletop. The contrasting textures between the metallic sheen of the lamp and the matte finish of the pipe add a tactile quality to the painting, enhancing its visual depth.Vuillard's palette is notable for its subtlety, predominantly casting amber and earth tones that evoke a sense of warmth and coziness. The broad and expressive brushstrokes imbue the scene with a dynamic yet serene ambiance, typical of Vuillard’s approach to his subjects.With "Nature morte à la lampe," viewers are invited not only to observe but to feel the quietude of the setting Vuillard has masterfully captured.

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Jean-Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.

Vuillard was influenced by Paul Gauguin, among other post-impressionist painters.