Woman Holding A Hand Towel
Technique: Giclée quality print
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The painting titled "Woman Holding a Hand Towel" by Goyo Hashiguchi is a fascinating piece that exemplifies the grace and beauty of shin-hanga, a style of Japanese art that emerged in the early 20th century. In this artwork, the subject is a woman depicted in a traditional Japanese setting, her posture and expression embodying a serene elegance.The woman is shown in profile, her gaze directed slightly downwards, lending her an air of introspective thoughtfulness. Her facial features are rendered with delicate lines that highlight her refined beauty. Her hair is styled in an elaborate coiffure, indicative of a fashion typical of high social or cultural status in traditional Japan.The focus on textiles is a striking feature of this piece. The woman is wearing an exquisite kimono with layered patterns and textures. The outer garment features dark colors adorned with intricate, fluttering butterfly motifs, contrasted beautifully against the vibrant orange of her under-kimono, which add depth and vibrancy to the composition. These elements are depicted with meticulous attention to detail, showcasing Hashiguchi's skill in portraying the subtle intricacies of fabric and design.The hand towel, which the title refers to, is perhaps subtly implied rather than explicitly shown, suggesting a moment caught in domestic life where such an object would be in use.
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Goyō Hashiguchi (1880-1921) was a Japanese scholar, artist, Ukiyo-e woodblock printer, and a Samurai's heir. He was trained in traditional Kano painting by his father, and later studied western oil painting at the Tokyo School of Fine Arts. He was encouraged by, and collaborated with shin hanga publisher Watanabe Shozaburo. Goyo portrayed women in intimate settings including at the bathhouse, hot springs, powder room, and in the nude. He was a perfectionist and only published 14 prints in his lifetime, these are among the finest and most highly priced Japanese modern prints.