Helen'S Tears From The Flower Book

Technique: Giclée quality print
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The painting titled "Helen's Tears" from Edward Burne-Jones's "The Flower Book" is a striking example of the artist's profound symbolic and emotional expression through imagery. In the piece, we observe a somber female figure, likely Helen of Troy, framed within a circular vignette. She stands in a flowing gown, which envelops her in deep, mournful blues, while her posture and the downward gaze suggest a moment of deep sorrow or introspection.The background displays a cityscape dominated by warm, fiery hues, perhaps denoting the burning of Troy, which links directly to the narrative of Helen whose legendary beauty sparked the Trojan War. This juxtaposition of the cool, solitary figure against the chaotic, warm backdrop intensifies the emotional gravity of the scene, metaphorically highlighting the isolation and sadness Helen might feel amid the destruction caused in her name.Burne-Jones’s use of colors and composition here not only evokes a strong emotional response but also subtly reflects the aesthetic characteristics of the Pre-Raphaelite movement, with which he was associated. This movement often focused on themes from mythology and literature, rendered with an almost dreamlike quality that is evident in this artwork. The circular format, reminiscent of traditional tondo paintings, focuses the viewer's attention on the emotional state of the central figure, encapsulating her personal tragedy within the broader context of epic historical events.

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Sir Edward Burne-Jones (1833-1898) was a British designer and Victorian narrative painter. He was born in Birmingham to a picture-framer. He intended to become a minister and studied theology at Oxford. However, his life took a turn when he met William Morris. Together they formed The Brotherhood, a society worshipping the poets and architecture of the middle ages. They both worked together on several projects for Morris & Co. Burne-Jones designed tapestries, jewellery, sculptures, ceramics, furniture and stained glass for the company. His artworks truly captured the spirit of the nineteenth century and the Arts and Crafts movement. In recent decades his art has had a renaissance and become among the most expensive pre-raphaelite artworks to be sold at auction.