Roseate Spoonbills, Study For Book Concealing Coloration In The Animal Kingdom
Technique: Giclée quality print
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In Abbott Handerson Thayer's painting titled "Roseate Spoonbills, Study For Book Concealing Coloration In The Animal Kingdom," we see an evocative portrayal of roseate spoonbills set against a lively, textured background. Thayer, known for his work on protective coloration in the natural world, captures the delicate hues and graceful forms of these distinctive birds.The artwork features three spoonbills, predominantly in soft pink tones, which contrast starkly with the murky greens and grays of the marshy setting in which they stand. The bird in the foreground appears to be in motion, possibly preparing for flight, as evidenced by its spread wings and uplifted stance. This movement brings a dynamic quality to the scene, adding a sense of immediacy and life.Thayer's brushwork is expressive, with loose strokes that suggest the fluttering of feathers and the rustling reeds. The sky, rendered in muted purples and blues, conveys a tumultuous atmosphere, possibly a prelude to a storm or the end of day. This atmospheric element accentuates the isolation and vulnerability of the spoonbills, while also highlighting their adaptation to their environment.This study significantly contributes to Thayer's larger thesis in his book “Concealing Coloration in the Animal Kingdom,” which argues that animal colors and patterns serve primarily to conceal from predators.
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Abbott Handerson Thayer (1849-1921) was an American artist, naturalist and teacher. He grew up in a wealthy Boston family and was a leader of the NY art world, selling portraits and allegorical figures to European Renaissance collectors. His art changed drastically when his wife died, when he moved to a colony of artists settled in Dublin, New Hampshire. He painted landscapes, delicate flowers, and idealistic paintings of women as angels and madonnas.