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still life in front of the window (1925) reproduction of painting by Georges Valmier. Still-life
still life in front of the window (1925) reproduction of painting by Georges Valmier. Still-life

still life in front of the window (1925)

Georges Valmier
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Georges Valmier's "Still Life in Front of the Window" (1925) showcases the artist's distinct blend of geometric abstraction and Cubism. This vivid, intricately layered painting captures the essence of modernist experimentation in the early 20th century. In front of a stylized window, Valmier positions a dynamic arrangement of everyday objects. The painting features a carefully composed still life at its center, with fruits and a pitcher resting on a geometric-patterned cloth, all enclosed within a sharply delineated, cubist border. The backdrop features a series of overlapping planes and shapes that suggest depth and a view out of a fragmented window. The colors are rich yet harmoniously balanced, giving the composition a vibrant energy and rhythm."Still Life in Front of the Window" exemplifies Valmier's commitment to exploring form and color, pushing the boundaries of how everyday scenes are perceived and depicted. This work invites viewers to consider new perspectives and appreciate the abstract beauty found in ordinary settings.

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Georges Valmier
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Georges Valmier (11 April 1885 – 25 March 1937) was a French painter. His work encompassed the great movements in the modern history of painting, starting with Impressionism in his early years, then Cubism which he discovered when he was around 25 years old, and finally Absstractionism from 1921. He also designed sets and costumes for theater and ballet, and models for fabrics, carpets, and other objects. His oil paintings do not exceed 300 in number, since Valmier died prematurely at the age of 51. His paintings were the culmination of many preparatory drafts in gouaches, multiple versions of which are works in themselves and reflect his penchant for colors and inventive shapes. Valmier was also a musician. He performed the works of Debussy, Ravel, Fauré, and Satie at major concerts and in churches, and had a decisive influence on the career of André Jolivet.

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