Christ on the Cross (c. 1650 - 1659)

Technique: Giclée quality print
Recommended by our customers
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More about this artwork

Giovanni Benedetto Castiglione's "Christ on the Cross" is a poignant representation of one of the most pivotal moments in Christian iconography. Created between 1650 and 1659, this painting captures the dramatic and sorrowful scene of the Crucifixion of Jesus.The artwork vividly portrays Jesus Christ affixed to the cross, his body rendered with expressive lines that emphasize both his suffering and the serene acceptance of his fate. The sky behind him is depicted with dynamic brush strokes of blue, suggesting a tumultuous atmosphere at the moment of Christ's crucifixion.Floating above Christ are angels, depicted in a flurry of movement. Their expressions are a mix of anguish and reverence, highlighting the profound sadness and the sacred nature of the event. Below the cross, the Virgin Mary is shown collapsed in despair, her form draped in flowing robes, underscored by her profound grief and loss.Castiglione's use of colors and his unique technique of brushwork lend an almost ethereal quality to the scene, enhancing the emotional depth and the thematic gravity of the painting. This artwork not only serves as a religious symbol but also showcases Castiglione's mastery in capturing human emotion and divine interactions.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Giovanni Benedetto Castiglione (23 March 1609 – 5 May 1664) was an Italian Baroque painter, printmaker and draftsman, of the Genoese school. He is best known now for his etchings, and as the inventor of the printmaking technique of monotyping. He was known as Il Grechetto in Italy and in France as Le Benédette.

He painted portraits, history paintings and landscapes, but came to specialize in rural scenes with more animals than human figures. Noah's ark and the animals entering the Ark was a favourite subject of his, and he devised a number of other new subjects from the early parts of the Old Testament with the patriarchs and their animals.