The Expulsion of Hagar (late 1640s)

Technique: Giclée quality print
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More about this artwork

Giovanni Benedetto Castiglione's evocative painting "The Expulsion of Hagar" from the late 1640s captures a poignant biblical story with masterful artistry. In this dramatic scene, Abraham is depicted at the moment he must send away Hagar, his concubine, along with their son Ishmael. According to the story, this expulsion was demanded by Sarah, Abraham's wife, to ensure that their son Isaac would be his only heir.Castiglione masterfully utilizes monochromatic shades to highlight the emotional intensity and turbulence of this moment. The composition cleverly draws the viewer's eye across the canvas from left to right, following the direction Hagar is being sent away. Hagar's expression is one of despair, her posture submissive yet poignant as she turns to glance back one last time. Abraham, shown with a forceful gesture, conveys a sense of reluctant authority. The inclusion of an angel in the top left corner symbolizes divine intervention and possibly comfort to Hagar and her son in their moment of distress.Each figure is rendered with dynamic energy, and the sketch-like quality of the painting adds a sense of immediacy and raw emotion. The architectural elements and drapery are depicted with loose, confident strokes, further emphasizing the dramatic flair of Baroque art.This artwork not only depicts a deeply human and personal story but also invites viewers to contemplate themes of obedience, sacrifice, and destiny in the broader context of divine narrative.

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Giovanni Benedetto Castiglione (23 March 1609 – 5 May 1664) was an Italian Baroque painter, printmaker and draftsman, of the Genoese school. He is best known now for his etchings, and as the inventor of the printmaking technique of monotyping. He was known as Il Grechetto in Italy and in France as Le Benédette.

He painted portraits, history paintings and landscapes, but came to specialize in rural scenes with more animals than human figures. Noah's ark and the animals entering the Ark was a favourite subject of his, and he devised a number of other new subjects from the early parts of the Old Testament with the patriarchs and their animals.