Sandwich-Man (1898)

William Nicholson’s “Sandwich-Man” (1898) captures a poignant moment in the bustling streets of a city at the turn of the 20th century. This woodcut print, striking in its bold, graphic quality, features a solitary figure known as a sandwich man. Adorned with advertising boards both in front and behind, the man depicted carries the sign "Ecce Homo" above a series of barely decipherable advertisements, suggesting themes of commercialism intertwined with profound symbolic reference.The artwork delves into the contrasts and conflicts inherent in urban life. The figure’s weathered expression, under the shadow of his hat, and his downtrodden stance evoke a sense of resignation or perhaps fatigue. Behind him, and starkly juxtaposed, is a man who appears to converse animatedly with a woman under the glow of a streetlight. This interaction adds a layer of dynamism and perhaps highlights the isolation of the sandwich man amidst the city’s activity.Nicholson’s use of stark, simplified forms accentuated with dark and light areas enhances the dramatic effect and draws focus to the central character. The limited color palette lends the scene a somber tone, emphasizing the theme of human endurance in the face of relentless urbanity and commercial exploitation.“Sandwich-Man” not only reflects the social realities of Nicholson’s time but also resonates with the contemporary viewer, prompting reflections on societal values and the human condition amidst public spaces.