Garden of a Florist (1864)

Technique: Giclée quality print
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More about this artwork

Delve into the tranquil beauty of Henri de Braekeleer's painting "Garden of a Florist," which masterfully captures the essence of a 19th-century florist's garden. This oil on canvas artwork transports us to a lush, meticulously maintained garden belonging to a florist, brimming with vibrant blooms and greenery.At first glance, the viewer is drawn into an intimate scene featuring several figures engaged in their daily routines amidst nature's bounty. The central path leads us through rows of colorful flowers, guiding our gaze towards individuals who are depicted in harmonious interaction with their environment. On the left, a man tends to the garden beds, perhaps examining the plants or weeding, engrossed in his labor. In the middle distance, an elderly woman, clothed in traditional attire, adds a touch of timelessness as she carries a basket, likely filled with freshly picked flowers or gardening tools.The garden scene is framed by rustic architecture that tells a story of functionality mingled with aesthetic simplicity. A dilapidated shed with a tile roof to the left and a more substantial building in the background suggest a setting that has evolved over many years, each structure witnessing countless seasons of growth and harvest.Henri de Braekeleer, renowned for his detailed and atmospheric settings, uses a palette that evokes the rich, earthy tones of the garden while the sky above, scattered with fluffy clouds, adds a lightness that contrasts beautifully with the dense vegetation below.

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Henri Jean Augustin de Braekeleer (11 June 1840 – 20 July 1888) was a Belgian painter. He was born and died in Antwerp. He was trained in drawing by his father Ferdinand de Braekeleer, a well-known genre painter, and his uncle Jan August Hendrik Leys. Braekeleer entered the Royal Academy of Fine Arts (Antwerp) in 1854. Although he remained a student there until 1861, he publicly exhibited his paintings for the first time in 1858, when Reaper and Washerwoman (locations unknown) were shown at the Antwerp Salon. In 1863, he went to Germany and, in 1864, to the Netherlands, studying works by 16th- and 17th-century painters in both countries. The influence of Johannes Vermeer was especially important, seen in one of de Braekeleer's most characteristic subjects: a single person absorbed in a quiet activity, shown in an interior lit by a window.