The Meal or Woman Seen from the Back (1881-1885)

Technique: Giclée quality print
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More about this artwork

"The Meal or Woman Seen from the Back" is a captivating painting by the Belgian artist Henri de Braekeleer, created between 1881 and 1885. This work of art masterfully depicts an ordinary moment in a domestic setting, showcasing Braekeleer’s attention to detail and his ability to evoke emotion through everyday scenes.The painting captures a woman viewed from behind as she stands in an ornately decorated room. She is dressed in a detailed, voluminous gown with a striped pattern and lace trimming at the collar, which reflects the fashion of the time. Her hair is styled up, kept away from her face, suggesting a moment of casual, possibly morning routine. The woman is positioned next to a table, upon which there are hints of a meal — perhaps a plate of bread and some fruits, barely discernible, adding a touch of everyday life and realism to the scene.What is particularly striking about this piece is Braekeleer’s use of light and texture. The brushstrokes are bold and vivid, giving depth and movement to the fabric of the woman’s dress and to the wooden elements of the room. The dark, rich color palette creates a sense of warmth and intimacy, drawing the viewer into this simple yet profound moment in the woman's day.This painting not only offers a glimpse into the daily life of the era but also highlights Henri de Braekeleer’s skill in portraying the quiet beauty of domestic interiors.

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Henri Jean Augustin de Braekeleer (11 June 1840 – 20 July 1888) was a Belgian painter. He was born and died in Antwerp. He was trained in drawing by his father Ferdinand de Braekeleer, a well-known genre painter, and his uncle Jan August Hendrik Leys. Braekeleer entered the Royal Academy of Fine Arts (Antwerp) in 1854. Although he remained a student there until 1861, he publicly exhibited his paintings for the first time in 1858, when Reaper and Washerwoman (locations unknown) were shown at the Antwerp Salon. In 1863, he went to Germany and, in 1864, to the Netherlands, studying works by 16th- and 17th-century painters in both countries. The influence of Johannes Vermeer was especially important, seen in one of de Braekeleer's most characteristic subjects: a single person absorbed in a quiet activity, shown in an interior lit by a window.