The Vision of Saint Francis of Paola (1670)

Technique: Giclée quality print
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Dive into the spiritual depths of "The Vision of Saint Francis of Paola," a masterpiece crafted by the renowned Spanish Baroque artist, Bartolomé Estebán Murillo in 1670. This evocative painting invites viewers to a moment of divine revelation, beautifully capturing the essence of devout mysticism that characterizes much of Murillo's work.At the center of the composition stands Saint Francis of Paola, depicted as an elderly man, his face etched with lines of wisdom and his eyes lifted in awe. Clad in the simple, dark brown robe of his order, he extends his hands outward as if to receive or embrace the miraculous vision before him. His staff, a symbol of his pilgrimage and ascetic life, is held gently in one hand, suggesting his readiness to lean on his faith.Above the earthly realm of rocks and shadows, Murillo paints a luminous array of cherubs. These celestial beings, radiant and joyous, float amid clouds, their dynamism contrasting with the grounded stillness of the saint. The word "CHARITAS" prominently inscribed in the upper left corner underscores the theme of divine love and charity, principles that Saint Francis of Paola greatly cherished and advocated.Murillo’s use of chiaroscuro — the contrast of light and dark — not only highlights the spiritual enlightenment of the saint but also contributes to the overall dramatic and ethereal atmosphere of the scene. The soft, glowing bodies of the cherubs against the darker, earthly tones mark the intersection of the human with the divine.This painting is a perfect representation of Murillo's artistic ability to convey deep religious and emotional narratives. It invites the onlooker into a contemplative dialogue with the divine, urging one to ponder the mystical experiences of the saints.

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Bartolomé Esteban Murillo (December 1617, January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively realistic portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. He also painted two self-portraits, one in the Frick Collection portraying him in his 30s, and one in London's National Gallery portraying him about 20 years later. In 2017–18, the two museums held an exhibition of them.