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The Adoration of the Shepherds (c. 1665 - c. 1670) reproduction of painting by Bartolomé Estebán Murillo. ALL GICLEE PRINTS
The Adoration of the Shepherds (c. 1665 - c. 1670) reproduction of painting by Bartolomé Estebán Murillo. ALL GICLEE PRINTS

The Adoration of the Shepherds (c. 1665 - c. 1670)

Bartolomé Estebán Murillo
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Bartolomé Estebán Murillo's magnificent artwork, "The Adoration of the Shepherds," painted circa 1665-1670, invites viewers into a moment of profound humility and divine warmth. This sublime painting captures the scene of the nativity where shepherds, having been guided by a divine light, gather to witness the birth of Jesus Christ.In this richly detailed composition, the infant Jesus lies at the center, bathed in a celestial glow that draws the viewer's gaze toward him. His mother, the Virgin Mary, dressed in a radiant red and blue garment, tenderly handles Jesus, emphasizing the solemnity and grace of this miraculous event. Surrounding the Holy Family are the shepherds, depicted with a sense of awe and reverence. They come bearing humble gifts and expressions of devout adoration.Murillo's talent in portraying the figures with gentleness and emotion enhances the sanctity of the scene. To the right, a kindly ox and a docile sheep complete the traditional imagery of the nativity, while a small gathering of angels above celebrates this momentous birth.This painting not only exhibits Murillo's skill in creating a feeling of spiritual connection but also reflects his ability to depict everyday people with a sense of dignity and respect.

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Bartolomé Estebán Murillo
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Bartolomé Esteban Murillo (December 1617, January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively realistic portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. He also painted two self-portraits, one in the Frick Collection portraying him in his 30s, and one in London's National Gallery portraying him about 20 years later. In 2017–18, the two museums held an exhibition of them.

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