Don Andrés de Andrade y la Cal (ca. 1665–72)

Technique: Giclée quality print
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More about this artwork

This striking portrait, "Don Andrés de Andrade y la Cal," attributed to the celebrated Spanish Baroque artist Bartolomé Estebán Murillo, dates from around 1665 to 1672. The painting showcases Murillo's skill in portraying nobility with a naturalistic approach that brings his subjects to life.The portrait depicts Don Andrés de Andrade y la Cal, a man of apparent distinction and nobility, as suggested by his confident pose and refined attire. He is dressed in a dark, doublet and breeches highlighted with billowing white sleeves and punctuated by a vibrant blue sash – attire fitting for a man of his status during the 17th century. His feet are adorned with black shoes accented by decorative spats, and in his left hand, he gently holds a black hat, which complements his solemn and dignified expression.Adding a layer of warmth and companionship to the composition is a large white dog, positioned beside Andrade, looking up at him with a sense of loyalty and affection. The dog is wearing a dark collar, suggesting it is a well-cared-for pet, emphasizing the status of its owner. The interaction between Andrade and the dog not only humanizes the nobleman but also illustrates the bond between man and animal, a theme that transcends time.The setting of the portrait is subdued yet elegant, with a simple architectural backdrop that includes a stone pillar and a shadowy alcove, directing all attention to the figures portrayed. Additionally, the coat of arms displayed above Andrade hints at his lineage and social standing.

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Bartolomé Esteban Murillo (December 1617, January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively realistic portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. He also painted two self-portraits, one in the Frick Collection portraying him in his 30s, and one in London's National Gallery portraying him about 20 years later. In 2017–18, the two museums held an exhibition of them.