Four Figures On A Step (C.1655)

Technique: Giclée quality print
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More about this artwork

"Four Figures on a Step," painted by renowned Spanish Baroque artist Bartolomé Estebán Murillo around 1655, showcases the artist’s exceptional skill in capturing human emotion and the subtle complexities of everyday life. This captivating work of art features four distinct characters, each vividly rendered with expressive details that draw viewers into their world.On the far left, a young boy, donning a floppy hat adorned with a red ribbon, leans forward with a cheeky smile, his eyes gleaming with mischief or perhaps secrets untold. Beside him, a young woman, possibly his elder sister, directs a sharp gaze toward him, her hand raised as if in mid-gesture, adding a dynamic feel to the scene.Centrally, an older woman, her face marked by the lines of life's experiences, stares out poignantly at the viewer. Her expression, a complex mix of resignation and strength, commands the emotional center of the painting. Finally, to the right, an elderly woman in glasses, who appears deeply absorbed in thought, gazes upward. Her pensive stance suggests wisdom or perhaps a longing reflective of her advanced years.Murillo's use of light and shadow expertly highlights the textures of their clothing and the varied materials, from the silky ribbons to the coarse fabrics of their garments, enhancing the overall lifelike quality of the painting.Positioned against a dark, indistinct background, the figures seem to emerge from the shadows, making this portrayal all the more engaging. "Four Figures on a Step" not only exemplifies Murillo's ability to convey complex human emotions and social interactions but also serves as a strikingly intimate glimpse into the societal and personal dynamics of 17th-century Spain.

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Bartolomé Esteban Murillo (December 1617, January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively realistic portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. He also painted two self-portraits, one in the Frick Collection portraying him in his 30s, and one in London's National Gallery portraying him about 20 years later. In 2017–18, the two museums held an exhibition of them.