The Emperor’s New Clothes Pl 1 (1911)

Technique: Giclée quality print
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Welcome to a captivating glimpse into Edmund Dulac’s imaginative illustration, "The Emperor’s New Clothes Pl 1," created in 1911. This remarkable painting draws its inspiration from Hans Christian Andersen’s beloved tale "The Emperor’s New Clothes," where themes of vanity and deception dance through each stroke and color.In this evocative portrayal, we see two figures, presumably the deceitful weavers, at the heart of their elaborate ruse. They stand by a large, intricate loom, pretending to work on the nonexistent fabric promised to be so fine and magical that only the wise could see it. The figure on the left, clad in a blue vest and maroon pants, operates the loom with a focused expression, adding to the illusion of their labor. Beside him, another character, dressed in regal and vibrant attire indicating a higher class - likely a nobleman or an envoy from the court - examines the ‘fabric’ being shown by an elderly man. This elder, also involved in the deceit, adopts an earnest facade, reinforcing the narrative of the magical garment.The setting is a rustic workshop, filled with the rich textural detail typical of Dulac’s work: wooden beams, elaborate stonework in the background, and an ornate door that adds to the medieval ambiance. To the left, a treasure chest overflowing with vibrant jewels and garments underscores the wealth and vanity tied to the emperor’s court, linking back to the narrative’s critique of superficiality and pride.Edmund Dulac, with his masterful blending of colors and meticulous attention to detail, not only captures a moment of this classic tale but also infuses it with a sense of timeless moral introspection.

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Edmund Dulac (born Edmond Dulac; 22 October 1882 – 25 May 1953) was a French-British naturalised magazine illustrator, book illustrator and stamp designer. Born in Toulouse he studied law but later turned to the study of art at the École des Beaux-Arts. He moved to London early in the 20th century and in 1905 received his first commission to illustrate the novels of the Brontë Sisters. During World War I, Dulac produced relief books and when after the war the deluxe children's book market shrank he turned to magazine illustrations among other ventures. He designed banknotes during World War II and postage stamps, most notably those that heralded the beginning of Queen Elizabeth II's reign.