A capriccio with the church of the Redentore (1744)

Technique: Giclée quality print
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More about this artwork

Canaletto, the master of Venetian views, presents an imaginative landscape in his painting “A Capriccio with the Church of the Redentore." Dated 1744, this captivating work orchestrates a fictional yet plausible Venetian setting that combines real architectural elements in a fantastical arrangement.At the heart of this composition is the Church of the Redentore, a renowned architectural landmark in Venice. The church, designed by Andrea Palladio, stands as a central figure in this painting, showcasing its classical façade and magnificent dome. The meticulous depiction emphasizes its striking architectural details and grandeur. Nearby, partially in ruins, stands an intricate Roman triumphal arch, suggesting a blend of historical timelines and evoking a Venice that transcends specific eras.The foreground is animated with daily life, capturing a variety of figures engaged in conversation, strolling, or involved in typical Venetian activities such as boating. These scenes offer a glimpse into the 18th-century urban life, characterized by elegance and leisure. The left corner of the painting features a small boat; its passengers seem engaged deeply in their tasks, adding a touch of liveliness to the serene setting.Canaletto's use of light and shadow, combined with a rich color palette, enhances the depth and realism of the setting. The sky, rendered in soft shades of blue and adorned with wispy clouds, complements the structural and human elements, tying the composition together in a visually harmonious manner.

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Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.

Painter of city views or vedute, of Venice, Rome, and London, he also painted imaginary views, although the demarcation in his works between the real and the imaginary is never quite clearcut. He was further an important printmaker using the etching technique. In the period from 1746 to 1756, he worked in England, where he painted many views of London and other sites, including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762.