The House at Rueil (1882)

Technique: Giclée quality print
Recommended by our customers
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More about this artwork

Welcome to our online gallery! Today, we bring into spotlight "The House at Rueil," a captivating painting by the French master, Edouard Manet, created in 1882. This wonderful representation captures the essence of a serene, sunlit day in Rueil, a suburban area that has always invited the intrigue and admiration of artists for its picturesque setting.The painting showcases a charming two-story house bathed in soft sunlight, with its details exquisitely rendered in a way that makes you feel the warmth of the sun. The building is framed by luxuriant greenery; trees and bushes lush with the full bloom of summer surround the structure and line the pathway leading to its welcoming open door and shuttered windows. The foreground is adorned with richly colored flowers, enhancing the tranquility and domestic bliss evoked by the scene.Manet's brushwork is loose yet deliberate, allowing the textures of foliage, architectural elements, and shadows to play across the canvas, creating a lively yet calm atmosphere. The blend of natural and architectural elements underlines Manet's skill in composing a scene that is both a still snapshot of a moment and a timeless, inviting environment.

Delivery

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters.