Portrait of Julien de la Rochenoire (1882)

Technique: Giclée quality print
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More about this artwork

In this striking portrait by famed 19th-century French painter Edouard Manet, we encounter a captivating depiction of Julien de la Rochenoire, vividly brought to life with Manet's distinctive brushwork and keen eye for detail. Created in 1882, this painting shows de la Rochenoire in a formal, yet somewhat relaxed pose, which suggests a blend of sophistication and approachability.The subject is portrayed with a reserved and introspective expression, gazing directly at the viewer. Manet's use of loose and expressive brush strokes, particularly in the rendering of the subject's facial features and the lively yet abstract background, adds a dynamic and almost impulsive quality to the work. The color palette is dominated by earthy tones punctuated by splashes of red and blue in the background, which subtly enliven the composition without detracting from the figure at the center.Julien de la Rochenoire is dressed in a dark suit with a white shirt and black tie, indicative of the formal attire of the period and his probable social status. The light gracefully touches his face, highlighting his cheeks and the intricate details of his mustache and hair, which Manet renders with a blend of precision and spontaneity.This portrait is not just a visual representation; it's a story captured in paint, reflecting Manet's ability to convey depth and personality through portraiture. It invites viewers to ponder the life and times of Julien de la Rochenoire, providing a fascinating glimpse into the Parisian society of the late 19th century.

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Yes, reproductions can be returned.

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Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters.