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Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue (1880) reproduction of painting by Edouard Manet. ALL GICLEE PRINTS
Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue (1880) reproduction of painting by Edouard Manet. ALL GICLEE PRINTS

Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue (1880)

Edouard Manet
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In this captivating painting by Édouard Manet, titled "Madame Manet at Bellevue," we see a deeply personal portrayal of the artist's wife, Suzanne Leenhoff. Though Suzanne's face is partly obscured by the brim of her elegant straw hat, accented with a simple black ribbon, there's an unmistakable sense of repose and reflection.Set against a backdrop of lush, vibrant greenery, the painting immerses the viewer in a moment of tranquil solitude shared with Suzanne. The loose, expressive brushstrokes typical of Manet’s later work create a lively play of light and shadow that flickers over her form, clothed in a lightly colored dress that blends harmoniously with her serene surroundings.Suzanne is depicted seated, possibly on a garden bench, hinting at a moment of leisure in the outdoors. The white and beige tones of her attire resonate with the fleeting quality of a warm, sunny day, evoking a sense of fleeting time and the gentle passage of life's quiet moments."Madame Manet at Bellevue" is more than just a portrait; it is a testament to the intimate and tender connections that are often hidden within daily life, captured forever by Manet’s deft hand.

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Artist
Edouard Manet
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Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters.

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