The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola (c. 1740)

Technique: Giclée quality print
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More about this artwork

Step into the serene world of 18th century Venice with Canaletto’s masterpiece, "The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola." Painted around 1740, this breathtaking work captures a vibrant, daily scene along the iconic Grand Canal, renowned for its importance in Venetian commerce and social life.Canaletto's expertise in vedute, or detailed cityscapes, shines through in this illustrious depiction. The viewer's eye is drawn along the shimmering waterway that threads through stately buildings and bustling quaysides. Each building is rendered with architectural precision, from the majestic Renaissance façades of palaces like Palazzo Flangini to the simpler, yet distinctly Venetian residential structures.The canal itself is alive with activity; gondolas and other vessels ply the waters, manned by gondoliers in traditional attire. These boats are not just elements of transportation but integral components of Venetian life, adding a dynamic quality to the tranquil scene. The reflections in the water, expertly painted, create a sense of depth and realism that pulls the viewer into the scene.Above, the sky opens up in an expansive stretch, dotted with soft, voluminous clouds, suggesting the passing of time in a city that feels both timeless and anchored in its specific historical moment. The interaction of light and shadow, water and stone, human and architectural elements, all contribute to a harmonious composition that epitomizes Canaletto’s skill in capturing the essence of Venice.

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Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.

Painter of city views or vedute, of Venice, Rome, and London, he also painted imaginary views, although the demarcation in his works between the real and the imaginary is never quite clearcut. He was further an important printmaker using the etching technique. In the period from 1746 to 1756, he worked in England, where he painted many views of London and other sites, including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762.