Entrance to the Grand Canal from the Molo,Venice (1742-1744)

Technique: Giclée quality print
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More about this artwork

This exquisite painting by the Venetian master Canaletto, crafted between 1742 and 1744, provides viewers with a picturesque glimpse into 18th-century Venice. Displaying an extraordinary degree of detail and a profound depth of perspective, this artwork portrays the bustling activity and serene beauty of the Molo, Venice’s waterfront area near the entrance to the Grand Canal.In the foreground, we see a diverse array of everyday Venetian life: vendors peddle their wares while locals and visitors alike engage in conversation and business. A striking feature of this scene is the meticulous depiction of the people, boats, and the detailed architectural elements of the nearby buildings, including the customs house. Here, Canaletto’s skill in lighting and texture brings out the delicate interplays of shadow and light across the various surfaces.Dominating the horizon is the majestic silhouette of Santa Maria della Salute, a cathedral known for its grand domes that provide a dramatic counterpoint to the linear elements of the waterfront architecture. The calm waters of the Grand Canal reflect the gentle sky, with ships and gondolas punctuating the vista, adding a dynamic element to the serene tableau.Canaletto’s masterful use of atmospheric perspective allows the viewer’s eye to travel deep into the painting, from the lively interactions at the dock to the grandeur of the distant buildings under a vast, open sky. This work not only captures the architectural and natural beauty of Venice but also vividly portrays the vibrancy of its civic life, making it a timeless window into a moment from the past. Through this painting, Canaletto invites viewers to experience the enduring allure of Venice, celebrated both for its artistic heritage and its pivotal role in maritime commerce.

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Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.

Painter of city views or vedute, of Venice, Rome, and London, he also painted imaginary views, although the demarcation in his works between the real and the imaginary is never quite clearcut. He was further an important printmaker using the etching technique. In the period from 1746 to 1756, he worked in England, where he painted many views of London and other sites, including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762.