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Le Faune (1899) reproduction of painting by Pierre Bonnard. ALL GICLEE PRINTS
Le Faune (1899) reproduction of painting by Pierre Bonnard. ALL GICLEE PRINTS

Le Faune (1899)

Pierre Bonnard
Technique: Giclée quality print
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Pierre Bonnard's "Le Faune" is a captivating artwork that exemplifies the artist’s innovative approach to color and composition. This work, painted in 1899, showcases Bonnard’s departure from naturalism towards a more symbolic and abstract representation.The painting depicts a faun, a mythological creature known in Roman mythology as a symbol of forest spirits and pastoral enchantment. The faun is portrayed in an animated pose, with a playful expression that captures the essence of the mythological being’s mischievous yet innocent nature. The backdrop is richly textured and deeply colored, creating a compelling contrast with the light, almost ethereal form of the faun.Bonnard's use of a mottled, dreamlike palette enhances the mystical quality of the scene. The painting is dominated by dark, earthy tones, interspersed with flecks of vibrant blue and green, suggesting a lush, dense forest setting. This use of color not only enriches the visual experience but also imbues the work with a sense of depth and mystery."Le Faune" is more than just a visual delight; it is a testament to Bonnard's ability to evoke emotion and atmosphere through his unique coloristic innovations and his interpretation of classical themes through a modern lens.

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We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

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Artist
Pierre Bonnard
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Pierre Bonnard (1867-1947) was a French post-impressionist painter, printmaker, and the leader of the Intimist art movement. He is regarded as one of the greatest colourists of modern art. Together with other young artists in Montmarte, Bonnard co-founded the group known as Les Nabis, translated from the arabic word “prophet”. He was known for a painting style that was very intimate, featuring friends in a garden, nudes, interiors and sunlit objects of everyday life. He began by painting in watercolor, composing scenes and deeply familiarizing himself with the subject, before transferring the composition to canvas. In many of his paintings, his mistress Marthe was the main subject. She was his most important model and was often pictured nude, after 30 years they finally married. 

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