View of New Street, near London Bridge
Technique: Giclée quality print
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John Varley's "View of New Street, near London Bridge" captures the quintessential British urban landscape with a detailed and delicate rendition that beautifully portrays the tranquil life of early 19th-century London. In this charming painting, Varley depicts a bustling street scene that balances grandeur architecture with the vibrancy of everyday life.The focal point of the painting is an imposing classical building, probably a prominent institution or church, characterized by a grand façade with bold columns and an elaborate clock. Its architectural elegance stands as a testament to the craftsmanship and urban aesthetic of the period. The structure’s towering presence suggests it might have been an important landmark in the area near London Bridge.To the left, the painting shows a row of neatly lined townhouses, their red bricks fading into the background, offering a stark contrast to the central building's stonework. These residences, with their uniform facades, reflect the residential style of the period and cater to the bustling life of a growing city. On the right, the scene transitions into what appears to be a more decayed part of the neighborhood, with a partially demolished building, suggesting the ongoing development and changes in urban landscapes during Varley’s time.Adding life to the architectural focus are the various figures strolling or congregating in the street. Men and women in period dress—some walking, others in conversation—provide a snapshot of the daily social interactions and fashions of the time. A horse-drawn carriage in the street emphasizes the era's predominant mode of transportation, further anchoring the scene in its historical context.The background reveals a glimpse of a distant monument, possibly hinting at the proximity to the iconic London Bridge, and subtly layers the composition with depth and a sense of place.
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John Varley was an English watercolour painter and astrologer, and a close friend of William Blake. They collaborated in 1819–1820 on the book Visionary Heads, written by Varley and illustrated by Blake. He was the elder brother of a family of artists: Cornelius Varley, William Fleetwood Varley, and Elizabeth, who married the painter William Mulready.