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Tarring the Boat (Le Bateau goudronné) (1873) reproduction of painting by Edouard Manet. ALL GICLEE PRINTS
Tarring the Boat (Le Bateau goudronné) (1873) reproduction of painting by Edouard Manet. ALL GICLEE PRINTS

Tarring the Boat (Le Bateau goudronné) (1873)

Edouard Manet
Technique: Giclée quality print
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Edouard Manet's evocative painting "Tarring the Boat" (Le Bateau goudronné), completed in 1873, presents a vivid scene from coastal life. This artwork masterfully captures a moment on a beach where a boat is being tarred—a traditional method used to seal and protect the wooden hulls of marine vessels.The painting showcases Manet's direct brushwork and his keen eye for the effects of light and shadow. Here, two workers, their figures painted in swift, energetic strokes, engage in the laborious task of tarring. They are set against the backdrop of a bright sandy beach and a wide expanse of ocean that meets a high horizon under a soft sky, suggesting the meeting of man's endeavors with the vast, uncontrollable nature of the sea.Manet's interest in everyday life and his inclination toward realism are evident in this work. The artist’s use of a restricted color palette dominated by the blacks and grays of the boat and tar, contrasted against the pale blue of the sky and sea, effectively echoes the theme of arduous human labor against the eternal presence of nature.

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Edouard Manet
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Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters.

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