Venice, the Molo with Santa Maria della Salute (c. 1740 - 1745)

Technique: Giclée quality print
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More about this artwork

Immerse yourself in the grandeur of 18th century Venice with Canaletto's stunning artwork, "Venice, the Molo with Santa Maria della Salute." This masterful painting invites viewers into a vivid depiction of the bustling Molo, one of Venice's most renowned waterfront areas. The scene is bathed in the warm, lucid light that Canaletto is famed for, capturing the essence of a Venetian day with an almost photographic realism.The composition presents a sweeping view of the Molo, leading the eye towards the elegantly designed Santa Maria della Salute in the distance, a monumental structure that epitomizes Venetian baroque architecture. The foreground is lively with activity; figures of various standings—from nobles to merchants, and commoners—mingle and move about, offering a glimpse into the daily life of Venice. The detailed portrayal of people and their interactions, along with the architectural precision of the buildings that line the square, showcases Canaletto's meticulous attention to detail and his prowess in using perspective.Canaletto's ability to merge architectural accuracy with atmospheric effect results in a portrayal that is not only a historical snapshot of Venice but also a timeless celebration of its vibrant social tapestry and architectural beauty.

Delivery

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.

Painter of city views or vedute, of Venice, Rome, and London, he also painted imaginary views, although the demarcation in his works between the real and the imaginary is never quite clearcut. He was further an important printmaker using the etching technique. In the period from 1746 to 1756, he worked in England, where he painted many views of London and other sites, including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762.