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The Lamp (1890-1891) reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS
The Lamp (1890-1891) reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS

The Lamp (1890-1891)

Mary Cassatt
Technique: Giclée quality print
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Mary Cassatt, an artist celebrated for her vivid portrayal of women's lives and relationships during the 19th century, presents yet another striking piece in "The Lamp" (1890-1891). This artwork invites viewers into a private, introspective scene rich with subtle detail and soft colors.The composition of "The Lamp" is intriguing; it features a woman seated with her back partly to the viewer, her face turned in profile. Her contemplative expression draws one's eyes, suggesting a moment of quiet reverie. The figure’s graceful posture and elegant attire evoke the refined lifestyle of the era.Behind the central figure, a lamp dominates the upper portion of the painting. Adorned with a frilly shade, it emits a sense of warmth and tranquility, possibly symbolizing comfort or enlightenment. The details, such as the blue vase and the delicately painted fan the woman holds, add layers of texture and color that enrich the visual experience.Mary Cassatt's use of light pastel tones and her delicate delineation of forms create an atmosphere that is both calm and contemplative. "The Lamp" not only exemplifies Cassatt's skill in using color and form to convey deep emotions but also her ability to capture the essence of domestic interiors in a profoundly personal way.

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Artist
Mary Cassatt
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Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.

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