An Island in the Lagoon with a Gateway and a Church (1743–44)

Technique: Giclée quality print
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More about this artwork

"An Island in the Lagoon with a Gateway and a Church" is a mesmerizing painting by the acclaimed Venetian artist, Canaletto. Painted between 1743 and 1744, this artwork showcases Canaletto’s extraordinary talent for capturing the luminous qualities of light and the vivid textures of architecture. The composition presents a serene and subtly complex vista of a fictional Venetian lagoon island, inviting viewers into a tranquil world poised between reality and imagination.In the foreground, Canaletto depicts a rustic, weathered stone bridge arching over a narrow lagoon channel. The calm waters, gently stirred by the oars of a boater, reflect the soft sky above. To the left, a grouping of classical buildings crowned with a tall bell tower hints at the religious significance of the location. These buildings, portrayed with warm hues and detailed architectural elements, are balanced harmoniously against the grandeur of an ornately decorated gateway on the right. This gateway, adorned with sculptures and reliefs, serves as a majestic focal point that draws the eye across the composition.The painting is enlivened by the presence of tiny, meticulously detailed figures going about their daily activities, providing a human scale to the grand architectural elements. Their presence infuses the scene with a sense of the everyday amidst the splendor of architectural creations. In the distance, the horizon meets a soft blue sky, suggesting the expansive nature of this tranquil yet vibrant setting.Canaletto’s work not only captures a picturesque scenario but also evokes a sense of timeless beauty, offering viewers a glimpse into an idealized version of Venetian life and architecture.

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Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.

Painter of city views or vedute, of Venice, Rome, and London, he also painted imaginary views, although the demarcation in his works between the real and the imaginary is never quite clearcut. He was further an important printmaker using the etching technique. In the period from 1746 to 1756, he worked in England, where he painted many views of London and other sites, including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762.