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Orchards at Louveciennes (1872) reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS
Orchards at Louveciennes (1872) reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS

Orchards at Louveciennes (1872)

Camille Pissarro
Technique: Giclée quality print
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Orchards at Louveciennes (1872) is a captivating work by Camille Pissarro, illustrating the serene atmosphere of rural France during the 19th century. In this painting, the viewer is drawn into a lush landscape dotted with the warm hues of the earth and the rich greens of trees and vegetation. The focus of the composition is a series of trees that stand prominently in the foreground, their detailed trunks and leafy branches casting shadows onto the ground below.Beyond the trees, the painting unfolds into a peaceful village scene accented by rustic houses with traditional architecture, their facades subtly blending with the surrounding nature. A church with a striking tower pierces the skyline, serving as a focal point amidst the rolling hills.Pissarro's masterful use of light and shadow brings this tranquil rural scene to life, inviting the viewer to appreciate the beauty and simplicity of agricultural life. The play of light across the canvas adds depth and texture, enhancing the overall feeling of harmony within the natural setting.Orchards at Louveciennes not only showcases Pissarro's deft skill in landscape painting but also his profound connection to the landscapes around Louveciennes, which inspired many of his works.

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Artist
Camille Pissarro
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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro

Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism. 

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