Portrait de femme (circa 1850)

Technique: Giclée quality print
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More about this artwork

Portrait de femme (circa 1850) by Gustave Courbet is an evocative painting that captivates with its simple yet profound portrayal of a woman. This artwork stands out for Courbet's skillful command of realism, capturing the essence of his subject with striking clarity and emotional depth.The painting depicts a woman dressed in a modest garment, adorned with a dark, lace-trimmed collar and a distinctive brooch at the center. Her attire reflects the fashion of the mid-19th century, characterized by its refined simplicity. The woman's features are rendered with particular attention to the subtle interplay of light and shadow, highlighting her gently rounded cheeks, the soft curve of her mouth, and her introspective gaze. Notably, Courbet's use of muted colors and understated textures to convey her facial expression suggests a sense of inner strength and quiet dignity.The dark background serves to focus the viewer’s attention on the subject, emphasizing the candidness and sincerity of the portrayal. This piece exemplifies Courbet’s ability to convey not just the physical appearance of his subjects, but their psychological depth as well.

Delivery

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Jean Désiré Gustave Courbet (10 June 1819 – 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work.