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Rue de village à Marlotte (Village Street in Marlotte) (1866) reproduction of painting by Alfred Sisley. ALL GICLEE PRINTS
Rue de village à Marlotte (Village Street in Marlotte) (1866) reproduction of painting by Alfred Sisley. ALL GICLEE PRINTS

Rue de village à Marlotte (Village Street in Marlotte) (1866)

Alfred Sisley
Technique: Giclée quality print
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Description: Alfred Sisley's "Rue de village à Marlotte" captures a serene moment on a village street in Marlotte, a commune that was often frequented by artists in the 19th century. Created in 1866, this enchanting work showcases Sisley's dedication to Impressionism, with subtle yet effective brushstrokes that evoke the tranquillity and rustic charm of rural France.The painting depicts a dusty street flanked by traditional stone buildings with a distinctly serene palette, dominated by muted earth tones that suggest the soft, diffuse light of an overcast day. Two figures, possibly villagers, are seen in mid-action, one carrying what appears to be a pole or tool, contributing human interest and scale to the scene. The verdant trees and bushes peeking over rooftops add bursts of life to the composition, contrasting with the weathered textures of the walls and roof tiles.With "Rue de village à Marlotte," Sisley not only documents a simple moment in daily village life but also transforms it into a poignant study of atmosphere and light, themes that define the Impressionist movement.

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Alfred Sisley
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Alfred Sisley (1839–1899), an English impressionist artist, was renowned for his breathtaking impressionist landscape paintings. Born in 1839 to a wealthy family in Paris, Sisley spent most of his life in France. Despite being intended for a career in commerce, he rebelled and pursued his passion for painting as an amateur in the studio of Charles Gleyre, where he befriended artists Claude Monet and Pierre-Auguste Renoir. The financial loss of his family in the Franco-German War led Sisley to make a career out of his art, though it left him financially distressed. It wasn't until after his passing in 1899 that the true value of his work was recognized.

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