Landscape la ciotat (1922)

Technique: Giclée quality print
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More about this artwork

Dive into the vibrant abstraction of Georges Valmier's painting, "Landscape la Ciotat" crafted in 1922. Positioned at the advent of Cubism’s profound influence on modern art, Valmier paints a scene that transcends traditional representation to suggest landscape through geometric abstraction.In this compelling piece, Valmier deploys a palette of vivid colors and a tapestry of shapes to portray this scenic view of La Ciotat, a charming coastal town in Southern France. Swatches of earthy browns, dark greens, and deep reds set the stage for splashes of bright yellow, bold red, softer pinks, and tranquil blues, creating a dynamic yet harmonious visual experience.The composition breaks down natural forms into a series of intersecting planes and angles, suggesting mountains, fields, and skies. A subtle integration of angular forms in white and grey, cleverly resembling clouds and perhaps distant sails, bridges the earthly and the sky. Notably, a small white windmill perched atop a hill adds a quaint, human touch to the abstract landscape, anchoring the scene in reality.Valmier’s work here is a perfect illustration of how Cubism allows viewers to see the essence rather than the exact, physical details of places and objects. "Landscape la Ciotat" is not just a picture but an invitation to explore the interplay of form and color, to feel the beauty and structure of La Ciotat through an avant-garde lens.

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Georges Valmier (11 April 1885 – 25 March 1937) was a French painter. His work encompassed the great movements in the modern history of painting, starting with Impressionism in his early years, then Cubism which he discovered when he was around 25 years old, and finally Absstractionism from 1921. He also designed sets and costumes for theater and ballet, and models for fabrics, carpets, and other objects. His oil paintings do not exceed 300 in number, since Valmier died prematurely at the age of 51. His paintings were the culmination of many preparatory drafts in gouaches, multiple versions of which are works in themselves and reflect his penchant for colors and inventive shapes. Valmier was also a musician. He performed the works of Debussy, Ravel, Fauré, and Satie at major concerts and in churches, and had a decisive influence on the career of André Jolivet.