La Marina (1929)

Technique: Giclée quality print
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More about this artwork

"La Marina," painted in 1929 by Georges Valmier, is a striking example of abstract art from the early 20th century. This artwork brilliantly combines abstract geometric elements with a subtle reference to maritime themes, showcasing Valmier's skill in integrating modernist aesthetics with traditional subjects.In the painting, we see an assortment of shapes and lines that suggest the fluidity and dynamism of a marina. The cool tones of blue and the undulating forms may evoke the feeling of water waves, while the black and white segments could represent the solidity of boats or maritime structures. Complementary shades of beige, pink, and earth tones provide a comforting backdrop, possibly hinting at the sandy shores or the setting sun.Valmier uses layered geometric figures and contrasting colors to create a sense of depth and movement, conveying the lively atmosphere of a busy port without relying on literal representation.

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Georges Valmier (11 April 1885 – 25 March 1937) was a French painter. His work encompassed the great movements in the modern history of painting, starting with Impressionism in his early years, then Cubism which he discovered when he was around 25 years old, and finally Absstractionism from 1921. He also designed sets and costumes for theater and ballet, and models for fabrics, carpets, and other objects. His oil paintings do not exceed 300 in number, since Valmier died prematurely at the age of 51. His paintings were the culmination of many preparatory drafts in gouaches, multiple versions of which are works in themselves and reflect his penchant for colors and inventive shapes. Valmier was also a musician. He performed the works of Debussy, Ravel, Fauré, and Satie at major concerts and in churches, and had a decisive influence on the career of André Jolivet.