Petit Déjeuner Devant La Fenêtre (circa 1892)

Technique: Giclée quality print
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More about this artwork

Explore the intimate and evocative world of Édouard Vuillard in "Petit Déjeuner Devant La Fenêtre" (Breakfast by the Window), painted circa 1892. This artwork is a quintessential example of Vuillard's genius in capturing everyday, private moments with a depth that transcends the simplicity of the subjects depicted.In this painting, we observe a quiet breakfast scene set against the gentle light filtering through a large window. The composition focuses on a figure seated at a table, their silhouette softly blended into the shadowy, earth-toned surroundings. The morning light illuminates portions of the scene, casting a warm glow on the figure's face and the breakfast items on the table, which include plates and a cup, possibly filled with tea or coffee.The artistic technique is notable for its loose, expressive brushwork, characteristic of Vuillard's post-impressionistic style. The use of muted, harmonious colors creates a sense of calm and comfort, enveloping the viewer into this tranquil morning moment. The patterned detail on the screen to the right adds a decorative touch that contrasts beautifully with the otherwise subdued palette."Petit Déjeuner Devant La Fenêtre" not only reflects Vuillard's focus on interior scenes and the personal lives of his subjects but also showcases his skill in using color and light to evoke emotion and atmosphere.

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Jean-Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.

Vuillard was influenced by Paul Gauguin, among other post-impressionist painters.