Snowy Landscape near l’Hermitage (1875)

Technique: Giclée quality print
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More about this artwork

Camille Pissarro's painting, "Snowy Landscape near l'Hermitage," is a captivating portrayal of a wintry day, masterfully capturing the serene and subtle beauty of a snow-covered environment. Completed in 1875, this artwork is a prime example of the Impressionist style for which Pissarro is so renowned.The canvas features a sweeping view of a small village near Pontoise, where Pissarro lived for many years. A gentle blanket of snow lightly covers the landscape, creating a softened view of the houses and the distant cathedral that form the backdrop. The hues of icy blue and muted white dominate the painting, complemented by the bursts of earthy browns and greens peeking through the snow.Foreground elements include a rugged, snow-dusted path leading downwards, bordered by tall, leafless trees whose branches reach into a subdued sky tinged with hints of pink and lavender, suggesting the cold yet vibrant atmosphere of an early winter evening. The scene is animated subtly by the figures of villagers making their way along the path, their movements and interactions adding a layer of daily human existence to the quiet of the natural landscape.In "Snowy Landscape near l'Hermitage," Pissarro not only captures the visual essence of a snowy day but also evokes the crisp, cold air and the quietude that often accompanies a snowfall.

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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro

Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism.