Man in Korean Costume (1617)

Technique: Giclée quality print
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More about this artwork

We invite you to explore a captivating artwork from the renowned Flemish artist Peter Paul Rubens, titled "Man in Korean Costume," rendered in 1617. This intriguing drawing showcases Rubens' exceptional skill in capturing the essence of his subjects with detailed and expressive strokes.The piece presents a male figure dressed in traditional Korean attire, a striking depiction that underscores Rubens' interest in the world and diverse cultures. The figure is dressed in a voluminous, elegantly draped robe, complemented by a tall, intricately designed headpiece, which highlights the status or perhaps a ceremonial role of the individual depicted.Rubens' mastery is evident in the detailed rendering of the fabric folds and the soft, realistic depiction of the man's features. His eyes meet the viewer's, inviting contemplation and engagement, while his posture—arms crossed and a slight forwards lean—suggests a combination of authority and approachability."Man in Korean Costume" not only reflects Rubens’ virtuosity as an artist but also serves as a cultural bridge, transporting viewers back to the 17th century's fascination with exotic lands and peoples. This drawing is a testament to the time when European artists were beginning to engage more profoundly with subjects beyond their immediate surroundings, driven by the era's spirit of exploration and curiosity.

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Sir Peter Paul Rubens was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp.