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Gardner And Ellen Mary Cassatt reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS
Gardner And Ellen Mary Cassatt reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS

Gardner And Ellen Mary Cassatt

Mary Cassatt
Technique: Giclée quality print
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This painting by Mary Cassatt, titled "Gardner and Ellen Mary Cassatt," vividly captures an intimate and tender moment between two children, presumably siblings. The predominant figures in this artwork are a young boy and a younger girl, seated closely together. The boy, dressed in a brown jacket and lighter collar, has a somewhat protective and watchful expression. His gaze does not meet the viewer but looks off to the side, implying contemplation or distraction. He has a notably sturdy and mature posture for a child, suggesting a sense of responsibility or care for his younger companion.The girl, in contrast, features softer, more delicate nuances. She is dressed in a white dress with pink undertones and has her hair neatly arranged with bows. Her expression is tender and slightly reflective, resonating a gentle demeanor, and she seems to be slightly leaning towards the boy for comfort or reassurance. Her hands are gently placed in her lap, enhancing her demure pose.The use of color and texture in the painting adds emotional depth and a sense of warmth. The brushwork is soft yet sufficiently detailed to convey the textures of their clothing and the subtle variations in their facial expressions.

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Artist
Mary Cassatt
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Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.

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