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Girl Arranging Her Hair reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS
Girl Arranging Her Hair reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS

Girl Arranging Her Hair

Mary Cassatt
Technique: Giclée quality print
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This painting, titled "Girl Arranging Her Hair" by Mary Cassatt, beautifully captures a domestic, intimate moment. The artwork features a young girl engaged in the simple yet personal task of arranging her hair. She is partially turning away from the viewer, directing her gaze upward while her hands gather and hold her long, braided hair. Her expression is one of focus and slight contemplation, contributing to the serene and introspective ambiance of the scene.Cassatt's brushwork is loose and expressive, evident in the textural variation on the girl's white blouse and the delicate floral background, which provide a vibrant contrast to the soft skin tones. The background includes household elements like a wash basin and a pitcher on a wooden shelf, adding context to the domestic setting of the scene and reflecting Cassatt’s interest in the everyday lives of women and children.The use of light and shadow, along with the rich, muted color palette, emphasizes the naturalism and warmth of the scene, capturing a moment that feels both timeless and distinctly personal. This painting is a fine example of Cassatt’s impresionistic style, showcasing her ability to depict the nuanced interactions of everyday life with both empathy and artistic flair.

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Artist
Mary Cassatt
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Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.

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