Temple of Amada of Hassaya in Nubia. (1846-1849)
Technique: Giclée quality print
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David Roberts' painting "Temple of Amada of Hassaya in Nubia" offers a serene and picturesque depiction of a tranquil river scene set against an evocative Nubian landscape. Created between 1846 and 1849, this artwork captures the quiet beauty and historical richness of the region.In the foreground, the calm waters of the river reflect the soft hues of the sky, where gentle clouds hover above. A traditional sailboat, featuring a prominent lateen sail, glides effortlessly through the water, adding a sense of motion and life to the tranquil scene. A smaller canoe accompanies it, paddled by a solitary figure, which helps to convey the daily activity along the river.The middle distance shows lush riverbanks, dotted with shrubbery and trees, which serve as a natural frame leading the viewer's eye towards the central feature of the composition: the Temple of Amada. Set against a backdrop of distant mountains that fade into the horizon, the temple stands resolute on a slightly elevated sandy terrain. Its white-washed walls and domed structure shine under the sun, drawing attention as the focal point of the composition.Roberts' adept use of light, color, and perspective not only highlights the architectural beauty of the Temple of Amada but also imbues the scene with a sense of peace and timelessness. This piece is a splendid example of Roberts’ travel-inspired artworks, reflecting his keen eye for detail and his ability to capture the essence of the landscapes he visited.
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David Roberts (24 October 1796 – 25 November 1864) was a Scottish painter. He is especially known for The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia, a prolific series of detailed lithograph prints of Egypt and the Near East that he produced from sketches he made during long tours of the region (1838–1840). These and his large oil paintings of similar subjects made him a prominent Orientalist painter. He was elected as a Royal Academician in 1841.