Woman With Baby

Technique: Giclée quality print
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More about this artwork

The painting "Woman With Baby" by Mary Cassatt is a tender and intimate portrayal of a mother and her young child. In this artwork, we see the mother holding her baby close to her, with the baby nestled comfortably in her arms. The mother's gaze is directed lovingly towards the baby, capturing a moment of maternal affection and warmth.The painting is rendered in soft, pastel colors, with predominance of warm oranges and blues that create a gentle and comforting atmosphere. The brushstrokes are loose and expressive, contributing to the overall softness and emotional depth of the image. The mother wears an orange robe with hints of blue patterns, which harmonizes beautifully with the muted background tones.Cassatt's ability to depict the natural and spontaneous exchanges between mothers and their children is evident here. She focuses on the emotional connection, using color and light to enhance the sense of closeness between the figures. This painting not only illustrates Cassatt’s skill in composition and color use but also reflects her ongoing theme of maternal love and the everyday moments of family life. Cassatt, being one of the few female Impressionists and an American living in France, brings a unique perspective to her interpretation of the themes related to women and children.

Delivery

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Returns

Yes, reproductions can be returned.

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We do not refund shipping expenses.

Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.