Lot From A Garden

Technique: Giclée quality print
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More about this artwork

"Lot From A Garden" by Christen Købke is a delicate and finely detailed drawing that captures the tranquil essence of a garden scene. Central to the composition is a robust and intricately sketched tree. Its tangled branches, filled with a multitude of fine leaves, stretch outward, filling much of the frame and creating a dominant visual presence. The tree's detailed textures and naturalistic form suggest a keen observation from nature.In the background, the drawing becomes lighter and less defined, providing a sense of depth and space. You can faintly make out what appears to be a pastoral landscape with additional trees, possibly part of a larger garden or park. There's also a glimpse of a structure that might be a distant building or monument, adding a layer of human presence to the scene.The foreground is marked by gentle sketch lines indicating grass or possibly a pathway leading towards or around the tree. The overall effect of the composition is serene and contemplative, typical of Købke's work, focusing on natural beauty and light with a meticulous attention to detail.This artwork not only showcases Købke's skill in handling pencil on paper but also reflects his profound sensitivity towards the natural world, capturing more than just the visual but also the tranquil ambiance of the garden environment.

Delivery

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You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

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Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Portraits, landscapes and the beauty of Scandinavian nature by Christen Købke (1810-1848). “The Danish master of light” was one of the best-known artists of the Danish Golden Age. Born in Copenhagen, Købke trained at the Royal Academy of Fine Arts, where he studied under the portrait painter C.A Lorentzen. It was here that he was introduced to plein-air painting, which became the hallmark of his later work.