Venice: Night Of The Festival Of The Redeemer

Technique: Giclée quality print
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More about this artwork

"Venice: Night of the Festival of the Redeemer" by Henri Edmond Cross captures the vibrancy and energy of this famous Venetian celebration through an expressive use of color and light. In this painting, you can see the festivities taking place against the backdrop of the iconic Venetian architecture.The artwork is composed in a dazzling array of blues and whites, portraying the night sky and its reflection on the waters of Venice. The fireworks display is captured with splashes of red and orange, adding to the sense of celebration and excitement.To the right, we see a luminous depiction of buildings, likely representing the historic structures along the Grand Canal, glowing under the night sky painted in hues of yellow and warm tones, suggesting the lights of the buildings and street lamps. The use of abstract shapes and dabs of color conveys the flickering lights and reflections on the water's surface.Spanning the foreground, there seems to be a balcony or railing, with a solitary glass of wine placed on it, suggesting perhaps a viewer's perspective from a nearby location, enjoying the spectacle unfolding in front.Overall, Cross's painting is not just a visual representation but an emotive interpretation that captures the essence of the Venetian festival, characterized by its lively atmosphere and the stunning visual play of light and water.

Delivery

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Returns

Yes, reproductions can be returned.

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We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

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Henri-Edmond Cross (1856-1910) was a French artist known for his Pointillism paintings of landscapes and still life. He co-founded Société des Artistes Indépendants in Paris, where he met and was inspired by the Neo-impressionist painter Seurat. Due to rheumatism, Cross moved to the south of France, where Signac was also based. Together they abandoned the tiny colored dots of Pointillism for orderly brushstrokes in the style of mosaic. This was second generation Neo-Impressionism, and laid a path for Fauvism.