The Banker’s Table (1877)
Technique: Giclée quality print
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William Michael Harnett, renowned for his startlingly realistic still-life compositions, presents "The Banker’s Table," a fine example of his meticulous attention to detail and texture. This 1877 artwork invites viewers into a contemplative space filled with objects symbolizing the world of finance and bookkeeping from the late 19th century.At first glance, the table is strewn with everyday items, yet each piece is rich with significance. Central in the composition are a stack of well-worn books, their spines and pages tinged with the golden hue of aged leather. One can almost feel the weight and texture of these tomes, suggesting their frequent use in the banker's daily transactions and record-keeping.Resting atop these books is an inkwell, its surface chipped and worn, reflecting the repeated daily use by its owner. Beside the inkwell lies a pen, poised as if it has just been set down, its quill sharp and ready for more figures to be noted down or deals to be signed. The inclusion of a letter partially tucked beneath the books adds a layer of personal communication in the business dealings, perhaps reminding us of the human element behind the numbers.Foregrounded on the table are a few coins and a precisely folded banknote, indicating the currency of commerce that drove the banker’s day-to-day operations. These coins, slightly varying in size and design, along with the banknote, symbolize the tangible outcomes of financial decisions.William Michael Harnett’s choice of a subdued, almost monochromatic palette focuses attention on the textures and objects rather than the colors themselves.
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William Michael Harnett was an Irish-American painter known for his trompe-l'œil still lifes of ordinary subjects.
Harnett was born in Clonakilty, County Cork, Ireland during the Potato Famine. Shortly after his birth, his family emigrated to America and settled in Philadelphia. in 1868 after becoming a citizen of the United States, the boy earned a living by engraving designs on table silver, and also attended night classes at the Pennsylvania Academy of the Arts, and later at Cooper Union and National University in New York. His first known oil painting, a still life, dates from 1874.